主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Ciern
导演：爱德华·格莱纳
类型：剧情
地区：其它
年份：1968
简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代(dài )(🎾)斯洛伐克新(🎲)浪潮(❣)电影的缔(dì )造者之一。他(tā )的三(sān )部影片《一周七天(tiān )(👁)》（1964）《尼绒(róng )月亮》（1965）和这部《徳拉克的回(huí )归》都是(shì )(🤷)斯(sī )(🔊)洛伐克新(xīn )(🌙)浪潮电影的代表(biǎo )作(🚨)。这(⏯)部叙事方法独特带有明(㊗)显意识(shí )流(liú )风格的黑(hēi )(✋)白影(🏂)片(🙌)甚至间(jiān )接影响到了后来(⛓)法国导演格里(🥫)耶在捷克(🔔)拍(🚻)摄的两部(bù )影(💠)片《说谎的(🎋)人(rén )》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).